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Lee Ufan Picking Out Rocks from a Quarry in Long Island |
I had been planning all last week to go to a "members only" night at the Guggenheim on Friday night. I had RSVP'd that I would be there, not that that means anything, because they don't know me from Eve. However, this members' party included a half-hour group visit with the artist, Lee Ufan, whose work is now the main exhibit at the Guggenheim.
When Friday night arrived, I didn't feel like going, even though I had taken a nap in the afternoon and felt well-rested. I knew there wasn't any reason for me not to go. Although it's rather a long trip to the Guggenheim from my apartment in Staten Island--about 1-1/2 hours. The trip goes pretty fast because it's broken up into equally divided sections. First, I take the bus to the ferry, then the ferry to Manhattan, then the subway to 86th Street. From there it's only about a 10-minute walk to the Guggenheim.
While waiting for the bus near my house, I was dreading the trip so much that I almost went home, but my bus came and I forced myself to get on. At the ferry terminal in Staten Island, it looked like it was going to rain really hard at any moment causing me to surmise that since I had forgotten to bring my umbrella, I better go back home at once. Then I glanced down into my carry-all and saw my umbrella. I hadn't forgotten it after all. Gosh. Darn. I didn't have to wait long for the ferry and continued into Manhattan and on to the museum. It never did rain.
According to the information on my invitation, I arrived at the Guggenheim exactly on time. Hardly anyone was there. I have to travel so far to get anywhere from where I live, but I always seem to be the first to arrive, when people who live down the block show up an hour late to everything. Every one except me knows to arrive fashionably late.
I haven't mentioned yet that one other reason I had dreaded this trip was because I was broke. I just coast through the last week of every month before my social security check arrives, which is the most salient event of my pathetic financial life. I have an MTA senior discount card so I don't have to worry about paying for transportation except once a month. I put my card in the slot and my fare is extracted electronically. Since I'm a member of the Guggenheim, I don't have to pay the cash entrance fee each time I go. Except I knew the museum was going to have a cash bar and I wouldn't be able to buy a drink, which is lousy, but their drinks are lousy, too, and every time I've bought a drink there, I regretted throwing my money away. I hate going all the way into the City without even enough money for a coffee even if it's doubtful that I might want one. Nothing is worse than not even having loose change in your pocket in Manhattan. Even if you don't need it, it's just comforting to know you have that much financial security.
At the Guggenheim, I found out that the half-hour member's meeting, at which the artist Lee Ulan would answer everyone's stupid questions, cost extra. I didn't remember reading that in my invitation. Since I didn't have any cash on me, I couldn't go to the meeting, which made me more sorry than ever that I had come. Since I was there, I took the elevator up to the top of the museum and then walked down Frank Lloyd Wright's magnificent ramp trying to take in the works of Lee Ufan without any desire to to stop and contemplate them. Walking that ramp in the Guggenheim is always a thrilling experience for me, no matter how many times I've done it, or how else I feel.
Most of Mr. Ufan's works are large rocks sitting in front of a black or white backdrop or on cushions. I was bored to death, tired, hot and miserable, without even an overpriced, diluted drink in my hand to help releave my misery. I looked in a room filled only with large rocks sitting on pillows that were arranged, according to the museum's sign on the wall, in some kind of spiritual fashion. His art is mostly about rock placement. I almost hated it. I'm a big fan of Buddhism, but Buddhist spirituality expressed in art doesn't do much for me.
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The Rocks on Pillows. The arrangement is supposedly what it's about. |
I only spent a half an hour in the museum and then left. When I left, there were hardly any more people there than when I arrived. Below is a picture of the cash bar and all the bartenders standing and gazing out into the empty room.
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The Cash Bar |
I began walking toward the Metropolitan Museum which is only a few blocks away from the Guggenheim. I thought I might spend a little time there, before going home, so my trip wouldn't be a total bust. I'm a member there, too, so I don't have to pay to get in there either. One redeeming feature was that it was a beautiful evening, and I enjoyed the walk south on Fifth Avenue, beside the park, towards the Met.
Just as I got about a block from the Met, a city bus pulled up right in front of me and I was so tired that I couldn't resist getting on and just going home as soon as I could.
I took this city bus to 42nd Street where I could transfer to the #10 bus to Staten Island which takes me only a block from where I live. However, before getting on a #10, I stopped in at the main library on 5th to browse at the DVDs and the art books. I checked out a book called
"The Tao of Sketching", which I read on my way home on my #10 bus. I'm still enjoying the book.
I attend these art events because I love art--most of it--and writing about it on my blog called
"Old Woman on a Bicycle." However, I was so depressed when I got home, I rushed to turn on the TV and sat through "Blue Bloods." How low can one get. I didn't even think about writing about the exhibit. I just erased the whole evening from my mind and didn't think about it again until a day ago when I suddenly thought that maybe I could write something about the exhibit after all. I had taken a couple of photos, like the one above of the bartenders, that I could use in my post. I didn't take the photo of the rocks on the pillows. I got it from the Met's website. Yesterday, I wrote a post called
The Lee Ufan Exhibit at the Guggenheim for my
"Old Woman on a Bicycle" blog.
My post is getting quite a few hits including a comment from an art critic in the UK. It's getting almost more hits than any other post on my blog. So the evening didn't turn out to be a total waste after all. If I had stayed at home that night, I wouldn't have written my post, I wouldn't have gotten the book on Chinese Brush Painting, and I probably would have shrunken my I.Q. some more by spending the evening watching TV. Sometimes, in retrospect, we see redeeming features that we didn't pickup on at the time.